![Gego (Gertrud Goldschmidt)Ocho cuadrados [Eight Squares]1961welded and painted iron66 15/16” x 25 3/16” x 15 3/4”](http://24.media.tumblr.com/1ec27465e0f6efc3b71c758be6f762aa/tumblr_mkumihmM2z1r24ddao1_400.jpg)
Gego (Gertrud Goldschmidt)
Ocho cuadrados [Eight Squares]
1961
welded and painted iron
66 15/16” x 25 3/16” x 15 3/4”
Dennis Oppenheim
Two Stage Transfer Drawing
1971
performance
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“As I run a marker along Eric’s back he attempts to duplicate the movement on the wall. My activity stimulates a kinetic response from his sensory system. I am, therefore, Drawing Through Him”
Sean Smith
Snow White Forensics
February 10, 2013
Pape Village and Aldwych Park, Toronto
late morning
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Ode to a Cabinet Slut
cue ball phrenology, we
head bang this theory
black metal style
fleshly, cabin fever
this.
school of hard knocks
or bumps
bursting forth from the
crown of my knowledge
indiscriminately, this
untouched
but not for wanting
these bumps
Anouk Wipprecht
Spider Dress
2012
robotic fashion
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a dress with insect-like robotic limbs which react to the proximity of others
Fi Jae Lee
The Poet Yi Sang’s Wedding and Funeral
2011
fish skin, lace, wire
60 X 65 X 153 (Yi Sang), 61 X 50 X 178cm (Yi Sang’s Wife)
Mia Liu
Can’t Stop Rolling it Up
2010
acrylic on watercolor paper and aluminum plate
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“The story of Can’t Stop Rolling It Up has started from a flat drawing. After being enlarged proportionally onto 144 full-sheet water color papers, the drawings are cut, curled, and then pieced together onto an aluminum board. Shades that appear underneath the curls also become part of the visual elements in the work. Simply by adjusting the viewing distance, the audience also shifts between macrocosmic or microcosmic views, experiencing the work in both two-dimensional and three-dimensional aspects.”
Tomás Saraceno
On Space Time Foam
2012
installation
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“Argentinian artist Tomás Saraceno’s latest work, On Space Time Foam, is now on display at HangarBicocca in Milan. The installation consists of a large floating structure composed of three levels of clear film that can be accessed by the public. Visitors are encouraged to walk, roll, crawl, or lie down. And depending on where they’re situated within the installation, patrons may even get the impression that they’re floating on air. Saraceno is striving to detach his visitors from conventional geographical, physical, behavioral, and social constructs — what he sees as barriers.”
