Nonsense Lab
Toward a Kinoderm Aesthetics

November 17-18, 2012
Museum of Human Achievement
Austin, TX

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What if one’s gait could see?

Take Dziga Vertov’s concept of kino-eye and vision it anew in the age of gait-based detection and surveillance: the skin-as-camera. Think with others on questions of performance, politics and pedagogy as mobile subjects in the contemporary vision machine.

"Toward a Kinoderm Aesthetics" might be of interest to academics, artists, activists or others working with questions of moving bodies, visioning technologies, public spaces and politics in the common sphere. We encourage a variety of educational backgrounds, professional practices and personal experiences to enliven and enrich the weekend event.

This intensive workshop of research-creation will weave previous work by the Department of Biological Flow together with contemporary critical theory, embodied movement practices and consideration of cognate works by other artists. While a background in any of these areas would certainly be considered useful for the workshop, it is by no means a prerequisite for participation. One need only be interested in challenging discussions designed to catalyze potentials in one’s own projects thereafter.

Come play with us!

http://www.facebook.com/events/474843749204226/

Toward a Kinoderm Aesthetics

November 17-18, 2012
Museum of Human Achievement
Austin, TX

- - -

What if one’s gait could see?

Take Dziga Vertov’s concept of kino-eye and vision it anew in the age of gait-based detection and surveillance: the skin-as-camera. Think with others on questions of performance, politics and pedagogy as mobile subjects in the contemporary vision machine.

"Toward a Kinoderm Aesthetics" might be of interest to academics, artists, activists or others working with questions of moving bodies, visioning technologies, public spaces and politics in the common sphere. We encourage a variety of educational backgrounds, professional practices and personal experiences to enliven and enrich the weekend event.

This intensive workshop of research-creation will weave previous work by the Department of Biological Flow together with contemporary critical theory, embodied movement practices and consideration of cognate works by other artists. While a background in any of these areas would certainly be considered useful for the workshop, it is by no means a prerequisite for participation. One need only be interested in challenging discussions designed to catalyze potentials in one’s own projects thereafter.

Come play with us!

http://www.facebook.com/events/474843749204226/

top:
Glenn Ligon
Negro Sunshine
2006
neon

bottom:
Man Ray
Fingers
1930
"solarized" photograph

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skins, skins, nailed to a glass
wall liquid crystal, displayed.

Judith Butler: “In other words, acts, gestures, and desire produce the effect of an internal core or substance, but produce this on the surface of the body, through the play of signifying absences that suggest, but never reveal, the organizing principle of identity as a cause. Such acts, gestures, enactments, generally construed, are performative in the sense that the essence or identity that they otherwise purport to express are fabrications manufactured and sustained through corporeal signs and other discursive means.”

_____

Gender Trouble, Routledge, 1999, p.136.