Nonsense Lab

Aug 14

yottabyte


what teething bytes a yotta?
is a simple sorta thotta
a whole lotta yabba dabba
is the fabba for a yotta
grabba grabba builda fodda
hide yo’ sonny and yo’ dotta

what tonguing bytes a yotta?
is anotha sorta thotta
a whole lotta pitta patta
is the data for a yotta
babel babel globatrotta
need a spiffa new robotta

kilozetta is a yotta
megaexa is a yotta
gigapeta is a yotta
teratera is a yotta
teratera is a plotta
teratera says we gotta
gag me gag me epiglotta

anessay
anessay
anessay
anessayanessay
anessayanessayanessay
anessayanessayanessayanessay
anessayanessayanessayanessayanessayanessayanessay
anessayanessayanessayanessayanessayanessayanessayanessayanessayanessay
what can any say
and not end up on a blotta?

yottabyte


what teething bytes a yotta?
is a simple sorta thotta
a whole lotta yabba dabba
is the fabba for a yotta
grabba grabba builda fodda
hide yo’ sonny and yo’ dotta

what tonguing bytes a yotta?
is anotha sorta thotta
a whole lotta pitta patta
is the data for a yotta
babel babel globatrotta
need a spiffa new robotta

kilozetta is a yotta
megaexa is a yotta
gigapeta is a yotta
teratera is a yotta
teratera is a plotta
teratera says we gotta
gag me gag me epiglotta

anessay
anessay
anessay
anessayanessay
anessayanessayanessay
anessayanessayanessayanessay
anessayanessayanessayanessayanessayanessayanessay
anessayanessayanessayanessayanessayanessayanessayanessayanessayanessay
what can any say
and not end up on a blotta?

Aug 09

Non/ymous


ymou know my Name
this phrasing contains
a great deal of content
memoranda rights
of understanding
(do you understand these rights
as i mous them to you?)
No, not this, nor that, nor that
not on-switches which ask yes or No
youngMiss. not on/y these things
but all of us, all of that which came before us too
these Names, known
memento mori rights
Non-recorded in a split New York minute

Non/ymous


ymou know my Name
this phrasing contains
a great deal of content
memoranda rights
of understanding
(do you understand these rights
as i mous them to you?)
No, not this, nor that, nor that
not on-switches which ask yes or No
youngMiss. not on/y these things
but all of us, all of that which came before us too
these Names, known
memento mori rights
Non-recorded in a split New York minute

mustard


mustard is a solid is a liquid
is a gas. French me
till i can’t breathe anymore
wipe those yellow traces
from the corner of your perilous lips
and throw away the spicy napkin
we could have just spoken sweet
to one another from the bottoms
of our lungs but we pretzeled
the whole thing to death
and grainy truths. Honey, let’s
clear the air

mustard


mustard is a solid is a liquid
is a gas. French me
till i can’t breathe anymore
wipe those yellow traces
from the corner of your perilous lips
and throw away the spicy napkin
we could have just spoken sweet
to one another from the bottoms
of our lungs but we pretzeled
the whole thing to death
and grainy truths. Honey, let’s
clear the air

Aug 07

Dan GrahamHelix / Spiral (Simone Forti)1973two 8mm films, enlarged to 16mm, colour

- - -

"In Dan Graham’s double projection Helix / Spiral (1973), a performer, standing in an empty Soho lot, slides the back of a camera across her body in a helix-shaped movement, filming a second performer, the artist Jeff Wall. In a projection on the opposite wall, he is seen filming the first performer, moving in a spiral towards her. The helix/spiral camerawork of both performers splits the cinematic image into two vertical and horizontal movements, in which the body’s relationship to space is explored through the physical apparatus of the camera.”

Dan Graham
Helix / Spiral (Simone Forti)
1973
two 8mm films, enlarged to 16mm, colour

- - -

"In Dan Graham’s double projection Helix / Spiral (1973), a performer, standing in an empty Soho lot, slides the back of a camera across her body in a helix-shaped movement, filming a second performer, the artist Jeff Wall. In a projection on the opposite wall, he is seen filming the first performer, moving in a spiral towards her. The helix/spiral camerawork of both performers splits the cinematic image into two vertical and horizontal movements, in which the body’s relationship to space is explored through the physical apparatus of the camera.”

[video]

Aug 06

“contagion provokes the ‘individuation’ and linking of otherwise dividuated data clusters. #control”

Aug 04

Robert TaiteUntitled Work from Always Somewhere Else2014wood, latex paint, varathane48” x 48”

Robert Taite
Untitled Work from Always Somewhere Else
2014
wood, latex paint, varathane
48” x 48”

[video]

Jul 30

[video]

Jul 26

[video]